And now for something completely different. The writing was on the wall by this point so we get what amounts to a fill-in issue by Dwight Jon Zimmerman and Keith Giffen. It's interestingly laid out and well-told but suffers from the nightmarish failure of DC's experiments with flexographic printing at that time and, retroactively, from the knowledge that Giffen was cribbing much of his art from this period from a Spanish artist.
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